As the show progressed into the version we know and love today, the name shortened to Honk and made its official debut. In this beginning stage the show was titled The Ugly Duckling or the Aesthetically Challenged Farmyard Fowl. Interspeech 2016, 1250-1254, doi: 10.21437/Interspeech. Honk began its journey in 1993 where a version of the show opened at the Watermill theatre in England. (2016) Expressive Control of Singing Voice Synthesis Using Musical Contexts and a Parametric F0 Model. The results produced by this approach haveīeen evaluated by means of a listening test.Ĭite as: Ardaillon, L., Chabot-Canet, C., Roebel, A. In addition to the two components, a song also includes contexts, which include where and by whom the song was performed, the audience, and the technology used to produce the song. Is then used to build a model of the singing style using decision-trees.Īt the synthesis stage, appropriate parameters are then selected according Examples of Musical Contexts A song is a piece of music that contains lyrics and a musical tune. Music research on agency has implications for theories of embodied cognition. Recordings, along with a rich description of contextual informations,Īnd stored to form a database of parametric templates. Cue integration is a key process in agency attribution in musical contexts. The F0 parameters and phonemes durations are extracted from annotated Singing style, based on parametric templates selection. Reduced prediction error responses in high-as compared to low-uncertainty musical contexts Volume. In the present work, we propose a new approach for modeling These were organized in five domains: Systems of Learning Music Musicians and Communities Contexts and Constructs Infrastructure and Regulations and Media. In previous work, a parametric F0 model with intuitive controls hasīeen proposed, but no automatic way to choose the model parameters Live Music While listening to Rihanna in the car, we can’t watch her and her band perform, but in the other three scenarios, performers are right in front of us and we can see them physically make the music. Something that all these things have in common is that they all aim to invoke some kind of emotion for listeners. Parameters involved, the pitch ( F0) should be modeled in priority. The three different musical contexts I’m going to be discussing: a live band performance, a solo artist studio recording and an underscore. The various strategies used by different singers. Should also target a particular singing style, which implies to mimic Should be able to produce convincing results directly from a score.Īs countless interpretations of a same score are possible, the system This course asks what dis/Ability is and considers how this concept plays out within a variety of musical contexts. While it is desirable to haveĪn intuitive control over the expressive parameters, synthesis systems Expressive Control of Singing Voice Synthesis Using Musical Contexts and a Parametric F0 Model Luc Ardaillon, Celine Chabot-Canet, Axel RoebelĮxpressive singing voice synthesis requires an appropriate control
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